The exhibition Helmut Newton. Fotografie. White Women, Sleepless Nights, Big Nudes, curated by Matthias Harder and Denis Curti, presents, for the first time in Naples, more than 200 images from the three books edited by Newton himself: White Women, Sleepless Nights and Big Nudes.
Helmut Newton biography
Helmut Newton was born in Berlin in 1920 into a rich family of Jewish origin. He left Germay after the imposition of the Nazi racial laws and found refuge in Singapore and then Sydney, where he enlisted in the Australian army and married the actress and photographer June Brunnell (aka June Browne or Alice Springs).
After the war he worked in Melbourne for Playboy and in Paris, where he reached the peak of his success between 1970 and 1980 with the Sleepless Nights and Big Nudes series; working with Canel, Versace, Blumarine, Yves Saint Laurent, Borbonese and Dolce&Gabbana. In 1984 he made a video with Peter Max on missing persons, Surrender Your Heart. Ne died on 23 June 20014 in a car accident.
In White Women (1976) Newton chase 84 images (44 in colour and 40 in black and white) and, for the firsti time, introduced nudity and eroticism to fashion photography. Balanced between art and fashion, the shots are mainly of female nudes, through which he presented contemporary fashion.
These visions had their origins in the history of art, in particular Goya’s Maja desnuda and Maja vestida, now in the Prado, Madrid. Newton’s provocation with his introduction of radical nudity to fashion photography was then taken up by many other photographers and directors and was to remain the symbol of his personal artistic output.
Women’s bodies and clothes are also the centre of Sleepless Nights, published in 1978. In this case, however, Newton approached a vision that transformed the images from fashion photos into portraits, and from portraits into reportage, almost like crime scenes. Sleepsless Nights contains 71 photos (33 in colour and 38 in black and white) taken for various magazines (Vogue included) and it is the book that defined his style and irony, making it an icon of fashion photography.
The subjecs, usually partly nude models wearing orthopaedic corsets, women harnessed with leather saddles, as well as mannequins mainly lovingly tied to women, were sistematically shot outside the studio, often in provocative poses, suggesting the use of fashion photography as a pretext for creating something entirely different and very personal.
Newton attained his leading position in the history of the picture in the second half of the twentieth century with Big Nudes of 1981. Its 49 black and white photos opened up a new dimension in the history of human photography: that of blow-ups, which, from this moment on, went into galleries and museums all over the world.
In his autobiography (2004), Newton explained ow the full-length nudes photographed in the studio with a medium format camera, which he used to make the full-scale prints of Big Nudes, had been inspired by the posters circulated by German police in their search for members of RAF (Rote Armee Fraktion) terrorist group.
from February 25th to June 18th 2017 (not on Tuedays)
Opening: 9:30 | Closing: 19:30
Full price ticket € 11,00 (with audioguide)
Reduced price ticket € 10,00 (with audioguide)